alberto antonelli MOSTRA S.ALBERT 2
alberto antonelli MOSTRA S.ALBERT 1
alberto antonelli MOSTRA S.ALBERT 3


Casa delle Visite – Museo della Valle S. Alberto
dal 13 al 30 Settembre 2003

Festa Prov.le L’ULIVO – 9/12 Ottobre 2003
Patronage of Parco del Delta

Sala Agrisfera S. Alberto (RA) – 19 settembre 2004

On the occasion of the institution of the International Water Day, the idea of a photographic work on the great Po was born. The project places a profound reflection on the right of access to water understood as the natural right to survival of individuals for whom water should be treated as a social and cultural asset and not essentially as a raw material with economic connotations. (2003) (2003)

Alberto Antonelli Covered Mrkt. Pescheria Exhib. 11


Idoor Market Hall, Piazza Andrea Costa, 1 – Ravenna
27th March- 1st april 1997 – 26 black and white prints.
Setting up: Alberto Antonelli.

Reportage on the business of a very peculiar community of traders gathered under the historic building of the Indoor Market. The allure arises from the characteristic quality of the structure whose design dates back to 1918. It talks about its characters and the lively and composite world that revolves around it.

biennale venezia alberto antonelli 1


Chamber of Commerce Exhibition Space – Ravenna January 2002. Council Chamber of the Municipality of Ravenna – District of Piangipane 22nd February 2002.
Spazio espositivo Camera di Commercio RavennaRavenna Gennaio 2001

When you are passionate and curious about art and its expressions, sooner or later you will be captured by its charm through the need to tell it, to imprint it in one of its highest forms. In the year when globalization explodes, the artists invited to the Venice Biennale trace the thread of their thoughts with painting, photography, installations, dance, sculptures and videos and even with a new sector dedicated to poetry. In the frame of extraordinary spaces already used in the previous edition, the representation of the world filtered by the authors’ gaze unfolds. Even in the 21st century we remain tied to the old strategy and the agreement of the artists who continue to define themselves as avant-garde artists.
They created their own consciousness in relation to the ability to transform all certainties into problems demonstrating, from the Renaissance onwards, systematically, that problems cannot be solved but that one can only learn to deal with them. This is why engineers and entrepreneurs mocked artists, considered to be troublemakers, representatives of negativism.